
In many of my reviews I mention “essential” horror films (Evil Dead, Phantasm, Creepshow, etc) and I have to say, once again, that this is an essential horror film. The premise is extremely fresh and inspired, the cast is exquisite, the gore is tremendous, the music is haunting, the characters are memorable and the special effects are impressive. Writer and Director Clive Barker really crafted a winner, here.
Larry and his wife, Julia, have just moved into their old house where Larry’s brother, Frank, had been hiding out. Frank, a hoodlum in search of the greatest pleasures life has to offer, got into the occult and acquired a strange puzzle box (the Lament Configuration). However, once he opened it, a doorway between Earth and Hell unlocked and let loose the Cenobites, who dragged him down to Hell. And this was in the attic of Larry and Julia’s new home. When Larry accidentally spills blood on the floorboards, Frank manages to bring himself back to Earth, albeit in a very gooey, discorporated state. Julia, who had had an affair with Frank, discovers him and agrees to help him become whole again out of lust. She begins bringing him victims whose flesh he needs to rebuild his own body. Meanwhile, Larry’s daughter, Kirsty, finds the puzzle box and has her own dealings with the Cenobites.
There’s a lot going on in this movie with several plot lines that secure your attention and focus. The leading story in the movie is Julia’s relationship with Frank and her desire to be with him again at any cost. It’s a bit erotic, but that’s Clive Barker for you. Kirsty, despite being the heroine, really doesn’t have much to do through-out most of the film. Her encounter with the Cenobites is marvelous, though. As is her presence during the climax of the movie.
The Cenobites, despite being background characters and hardly appearing in the movie at all, really do steal the show. Pinhead (who technically wasn’t named until the sequel), as portrayed by the great Doug Bradley, carries a very sinister presence in both appearance and voice (his voice was manipulated to sound more demonic, you should see the scenes before the voice over effects are added; hilarious). The Female Cenobite and Butterball both look rather cool, but are the weakest of the lot. The Chatterer has obtained quite a following, appearing in more movies than any other Cenobite save for Pinhead. Then there’s the Engineer; strictly badass.
Hellraiser is based on Clive Barker’s novella, “The Hellbound Heart”. Hellraiser is both a remarkably accurate adaptation and an overall improvement of the source material. The overall story and structure of Hellraiser is identical to the Hellbound Heart, save for a few key and not-so-key differences. First off, Larry is called Raury in the book. Supposedly, his named was changed to Larry for the film because Raury sounded “too British” for an American audience. Also, Kirsty, in the book, is a friend of Raury’s rather than his daughter and has harbored an attraction to him all her life. I prefer the daughter-angle, honestly, as it gives her and Larry a much deeper and more powerful connection, which is carried over into the sequel (Hellbound: Hellraiser II). The Cenobites appear even less in the book than they do in the movie and receive very little description. The lead Cenobite is a genderless being while the “Pinhead” Cenobite is actually female. The Engineer is also presented as the overlord of the Cenobites and has no physical form but is instead a being of pure energy rather than a giant worm-creature.
The book also had a few elements which I liked that didn’t make the transition to film. The scene where Frank first summons the Cenobites is much longer and more complicated in the book. When the Cenobites arrive, they deliver the promise of pain and pleasure; Frank experiences every orgasm he’s ever had in his entire life all at once. The intensity of the pleasure causes him to ejaculate all over the floor. THIS is how he’s able to come back in the book, as when Raury’s blood mixes with his semen it becomes the catalyst for Frank’s rebirth. In the movie, the Cenobites just show up and rip him to pieces. Not much pleasure involved, there. Another detail from the book was that after Kirsty made her deal with the Cenobites, they kept a psychic leash over her. It was like a noose tightening around her neck. It added a bit of intensity to her dilemma, as her clock was slowly ticking away.
Hellraiser is more low-key then the other theatrical installments in the film, and really comes off more as a haunted house movie than the Hellish epic it’s known for. Still, it lays the groundwork for the extensive Hellraiser mythos and is a fantastic horror film even if you don’t plan on seeing any of the sequels.
Grade: A
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4 Responses for: Hellraiser
1 | Friday the 13th - Movie Reviews Blog
September 11th, 2006 at 8:23 pm[...] The major problem I have with the original Friday the 13th is that it’s hard to consider it the “quintessential” installment in the franchise. It got the ball rolling, certainly, but it lacks the one element Joe Average recognizes the Friday the 13th franchise for: Jason. And that, basically, is the major fault of the entire Friday the 13th franchise (though I love it so); there really isn’t a “quintessential” installment. Halloween, a Nightmare on Elm Street, Hellraiser, the Texas Chainsaw Massacre…the first films in those franchises are considered the best by most and have all the elements instantly recognizable of the series. Jason, at least the hockey mask-clad version we remember best, didn’t show up on screens until the third film in the franchise (he wore a burlap sack in Part 2), and by then he wasn’t stalking camp counselors anymore, just stupid teenagers in vacation houses. [...]
2 | Puppet Master (1989) - Movie Reviews Blog
November 2nd, 2006 at 12:28 pm[...] What really carries the Puppet Master films, and this one in particular, is the colorful cast of little wooden monsters (they eventually became popular enough to earn their very own toyline). There’s the leader of the puppets and perennial favorite, Blade, who sports a black trench coat, fedorah, spikes for eyes and a hook and knife in place of his hands. Pinhead (not to be confused with the character from Hellraiser) is the strongman of the puppets, with huge human-sized hands that are perfect for breaking ankles and punching women in the eye. Tunneller has a drill for a head, and you can probably guess what he does with it. There’s Jester, the pacifist of the puppets, who never really hurts anyone but is memorable for his spinning head and changing facial expressions. And finally, there’s my favorite puppet of the lot, Leech Woman, who can vomit up gigantic leeches on her prey. [...]
3 | Pumpkinhead: Ashes to Ashes - Movie Reviews Blog
November 30th, 2006 at 2:07 pm[...] Doc (Doug Bradley in a rare non-Pinhead role) is the chief medical physician of a local backwoods town, as well as the head of their mortuary and crematorium. What the townsfolk don’t know is that he’s a liar and a cheat, using the corpses of the dead for black market organs rather than cremating them like he’s supposed to. Four townsfolk uncover his scheme (unaware that he’s behind it all) when they find the corpses of their loved ones piled up in a barn. Overcome with anger, the townsfolk track down an old witch living in the swamp who instructs them on how to resurrect Pumpkinhead, the Demon of Vengeance. They bind their souls to Pumpkinhead, unleashing the beast on all those responsible. Meanwhile, Bunt Wallace, a dimwitted hillbilly who was roped into helping Doc in his schemes, has been repeatedly haunted by visions of his encounter with Pumpkinhead as a boy (from the first film) as well as the spirit of Ed Harley (Lance Henrickson). Harley provides a grim warning to Bunt, that Pumpkinhead is coming for him and there is no escape. [...]
4 | Pumpkinhead II: Blood Wings - Movie Reviews Blog
May 25th, 2007 at 11:47 pm[...] looks alright. That’s about the only bright side this film has, save for Andrew Robinson from Hellraiser putting in an appearance. But even then, his character is so hackneyed it doesn’t do his acting [...]
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