
Here is one of the most influential and startlingly realistic horror movies of all time. The original Texas Chainsaw Massacre, ignoring all sequels and remakes, is a masterpiece of dark cinema, spiraling the audience into a world of torture and mayhem where you truly feel helpless and alone.
Sally Hardesty and her friends are traveling across Texas, looking for Sally’s old homestead. They come across a dilapidated old home and enter, hoping to use the resident’s telephone. One by one, each teenager is struck down by a freak wearing a mask of human skin over his face. Eventually, only Sally is left and she finds herself trapped by the Sawyer Family, who plan to put her on the menu.
Recent horror films like Hostel and House of 1,000 Corpses have been flooding the market with scary movies that deliver their thrills through brutal torture. However, the Texas Chainsaw Massacre was doing it thirty years ago and fell under some serious criticism for its intensely violent nature and darkly realistic look at a family of serial killers. Future installments of the franchise turned the Texas Chainsaw Massacre into a horror comedy and self-parody, eventually ending with the god-awful “Texas Chainsaw Massacre: the Next Generation”. But you won’t find any of that here in the original.
The origin of the Family is never made clear, only that they’re crazy and they want to kill everyone. The chase scene where Leatherface races after Sally with his chainsaw from the house to the gas station is absolutely heart-pounding. The opening narration of the film (done by John Larriquet, of all people) makes the fate of the teenagers quite clear, though leaves Sally’s end a little blurry. You’re never quite sure if she’s going to make it or not.
The infamous “dinner” sequence truly is as bizarre as people describe it, but then, serial killers are supposed to be sick and demented. No sense in sugar-coating everything for the audience. The insane ramblings of the Family members is unnerving and the bit where Grandpa sucks the blood out of Sally’s finger is stomach-churning without the use of gratuitous gore. As a matter of fact, the Texas Chainsaw Massacre honestly isn’t very gory at all. A few of the deaths at the hands of Leatherface’s saw (such as Franklin’s) are bloody, but the blood is obscured by darkness. The Texas Chainsaw Massacre is capable of delivering scares on a more psychological level and doesn’t rely solely on buckets of blood and body parts as a crutch.
The atmosphere of the movie is enhanced by the extremely grainy and sun-saturated picture. You almost feel like you’re watching documentary footage at times, adding to the film’s approach at realism. Although the film often describes itself as “based on a true story”, “inspired by a true story” would be a bit more accurate. The character of Leatherface is loosely based on the killer Ed Gein, who would kill women and wear their skin. Gein only killed 2 women, though, with the rest of the bodies found in his home having been exhumed from graveyards. Gein made furniture and decorations from the corpses, a concept which makes its way into the Texas Chainsaw Massacre as well. There’s also a bit in the beginning about grave-robbing and vandalism.
The original Texas Chainsaw Massacre won’t be for everyone. It’s very dark and very disturbing. Many go so far as to call it “sick”, extending that description on to the people who enjoy the movie, as well. The movie has serious guts and is masterfully filmed.
Grade: A
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8 Responses for: The Texas Chainsaw Massacre (1974)
1 | Sonic the Hedgehog the Movie - Movie Reviews Blog
September 11th, 2006 at 8:24 pm[…] The rest of the cast isn’t so bad. Knuckles isn’t quite as angry-sounding as I’d have liked. He works, though. Tails, on the other hand, sounds like he has a cold through the whole movie. Most-likely, the actor was just holding their nose the whole time. The BEST voice, however, would have to be Dr. Robotnik. He has a great mad scientist-thing going, and to make it even better, he’s voiced by the Hitchhiker from the original Texas Chainsaw Massacre. Awesome. […]
2 | The Hills Have Eyes (2006) - Movie Reviews Blog
September 11th, 2006 at 8:26 pm[…] The movie, as you may expect, follows in the same vein as The Devil’s Rejects and The Texas Chainsaw Massacre. Due to nuclear testing in the American west prior to the Cold War, an entire mining community has been mutated into horrific cannibals. The Carter family, on their way to San Diego, gets some horrible advice from a gas station attendant and soon find themselves in the middle of cannibal territory. Of course, they don’t know this until family members start dying. […]
3 | House of 1000 Corpses - Movie Reviews Blog
September 29th, 2006 at 10:34 pm[…] House of 1000 Corpses will most likely remind you of the Texas Chainsaw Massacre. So much so, you might even qualify it as a “remake”, though I’d go with “homage” in this instance. The plot is almost identical and there’s even the presence of the magnificent Bill Mosley (Texas Chainsaw Massacre 2 and the unreleased All-American Massacre). Despite unashamed similarities in story, what separates House of 1000 Corpses from the Texas Chainsaw Massacre is the presentation. […]
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October 5th, 2006 at 4:43 pm[…] The major problem I have with the original Friday the 13th is that it’s hard to consider it the “quintessential” installment in the franchise. It got the ball rolling, certainly, but it lacks the one element Joe Average recognizes the Friday the 13th franchise for: Jason. And that, basically, is the major fault of the entire Friday the 13th franchise (though I love it so); there really isn’t a “quintessential” installment. Halloween, a Nightmare on Elm Street, Hellraiser, the Texas Chainsaw Massacre…the first films in those franchises are considered the best by most and have all the elements instantly recognizable of the series. Jason, at least the hockey mask-clad version we remember best, didn’t show up on screens until the third film in the franchise (he wore a burlap sack in Part 2), and by then he wasn’t stalking camp counselors anymore, just stupid teenagers in vacation houses. […]
5 | The Texas Chainsaw Massacre: the Beginning - Movie Reviews Blog
October 14th, 2006 at 10:23 am[…] Although it is a prequel to the Texas Chainsaw Massacre remake which came a few years before it, the Texas Chainsaw Massacre: the Beginning has more homages to the original Texas Chainsaw Massacre than the Texas Chainsaw Massacre remake did. Also, I just won an award for using “Texas Chainsaw Massacre” so many times in a single sentence. […]
6 | The Mangler - Movie Reviews Blog
October 21st, 2006 at 12:08 am[…] Three legends of the horror industry come together: Tobe Hooper (the Texas Chainsaw Massacre, Poltergeist), Robert Englund (a Nightmare on Elm Street) and Stephen King (Creepshow, It). So, does this combination result in success? No. No it does not. […]
7 | Poltergeist - Movie Reviews Blog
November 30th, 2006 at 1:51 pm[…] While most haunted house films before it were more low-key, psychological horror films, relying on spooky noises and maybe the occasional spectral presence, Poltergeist comes in and blows all that out of the water with incredible special effects and tons of action. The effects, provided by Industrial Light and Magic, are glorious in both their beauty and their occasional grotesquery. This movie, produced by Stephen Spielberg and directed by Tobe Hooper, is very much a fusion of the two filmmakers’ styles. It has that warm and fuzzy Spielberg feeling, with lots of soft music and adorable children, but lurking beneath that is Tobe Hooper, who stabs you in the gut when you least expect it with gore, evil clowns and a garden of corpses. It’s sort of a “good cop-bad cop” kind of approach, with Spielberg giving the audience a sense of security just long enough for Tobe Hooper to burst through the door with a chainsaw. […]
8 | Hostel: Part II - Review - Movie Reviews Blog
June 8th, 2007 at 11:15 pm[…] Grindhouse experience, harkening back to films like “Last House on the Left” and the original “Texas Chainsaw Massacre”. However, unlike his first installment, which I found to be rather luke-warm, “Hostel: Part II” […]
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